YEAH. GOOD CALL.
IF YOU NEED ME, I'LL BE IN THE CARAVAN.
THEN YOU'LL KISS ME.
IF I HAVE TO PUT BACK MY ROGER WITH SONJA AGAIN,
I'LL BE FIT TO BURST.
NOT EVEN ITS MOTHER. SHE JUST FLIES OFF DEPRESSED.
- SORRY. GOT OFF TO A BAD START.
- SORRY. WE ARE A BIT EARLY.
MY MOBILE WAS SWITCHED OFF FOR A REASON.
I WAS AT AN OWL SANCTUARY.
WELL, WHATEVER. BECAUSE THAT IS ME.
I'M ON MY WAY NOW.
I'M GOING TO WASH HIS CAR.
THEN IT CUTS TO JAMES - ROGER MOORE -
AND, YES, HE'S WITH A LADY.
WOULD YOU LIKE ME TO LAP DANCE FOR YOU?
SONJA, THIS IS IN THE LATE '80S.
(ALAN) SHALL I MOVE ON TO THE OTHER ONE?
(DEEP VOLCE) YES.
- YOU REALLY HAVE GOT A LOT OF ISSUES.
- YEAH. OF "WHAT CAR?" MAGAZINE.
- TAKE ME TO BONO'S HOUSE.
- YOU WANT TO GO TO BONO'S HOUSE? OK.
YOU'RE IN THE RIGHT BALLPARK.
FUCK OFF!
CARL. THERE'S A LOT OF ROOM IN HERE.
NICE TO BE ABLE TO JOG AROUND.
Alan Partridge: Big Beacon
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